Nine Shows. Nine Audiences.
Each show reaches a distinct community. Select a show to see who is behind it and who is watching.
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The BeMo Randi B Show is a co-hosted talk show where BeMo and Randi B go head to head on the topics, conversations, and cultural moments that matter to the DMV community and Black America. Two distinct generational perspectives. One table. No softening.
The network's largest and most national audience, built on Randi B's Facebook following. Broadest age spread in the network, pulling both Randi's 45-60 demo and BeMo's 25-40 crowd into the same conversation. Sponsors reach two generations in a single buy.
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The Re-Up is a music culture podcast hosted by BeMo and Alex that goes deep on the history, influence, and legacy of the music that built the DMV and Black America. Not just what you hear. Where it came from and why it matters.
The only show in the SEEN'T network with a significant white audience segment. Sponsors reach both the core Black cultural audience and a suburban creative class in a single buy. 17% engagement rate is the highest in the network.
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A Few Mo' Minutes is a lifestyle and culture interview show hosted by BeMo that goes deeper with guests whose stories deserve more than a headline. Rooted in the DMV community and driven by the kind of conversation that only happens when the host is genuinely curious.
Reaches the taste-makers whose recommendations drive purchasing decisions in their social circles. The male segment is uniquely valuable: men whose spending habits mirror the female lifestyle audience. A rare double-reach in a single buy. 669,894 peak viral views confirm the content breaks out of its core demo.
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The Kinda Late Show with Mike Kurtz is a traditional late night show in the lineage of The Tonight Show and The Arsenio Hall Show, performed live in front of a Washington, DC audience. Each episode features SUBDIVISION the house band, stand-up comedians, cultural guests, and interview segments. Hosted by one of the DMV's most popular working comedians.
The only show on the network with a genuine crossover white audience that isn't here by accident. Mike's DMV upbringing means the room is culturally Black without being exclusionary, making it the network's most integrated audience by default. Beltway transplants, comedy regulars, and late night loyalists in the same room. 3,069,000 peak viral views confirm the ceiling is real.
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Ask a DC Native is a documentary interview series that goes directly to the source: people who were born, raised, and shaped by Washington, DC. The show documents the DC that doesn't make the news and doesn't appear in the tourism guides. The city that was here before the consultants arrived.
The only show where the tension between presenting partners is the story. 51st News brings progressive transplants. The community being documented brings itself. Most racially mixed and hyper-locally focused audience in the network. 28,380 average views per episode on just two episodes confirms the demand is there.
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A culture-driven memoir show where each episode unpacks five artifacts, from wines to anime to friendships, turning personal lists into cultural revelations. An invitation for viewers to challenge their algorithm by becoming obsessive about their own interests and experiences. Part QVC, part Anthony Bourdain. Editorial television.
The most taste-driven audience in the network. 8.2% engagement rate is the network's second highest and it comes from an audience that does not share things casually. When Mood: Bored viewers recommend something, their circles listen. Highest per-follower influence of any show on the network.
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The Final Cut is a film debate show presented by Everybody A Critic. Four contestants argue about movies, film culture, and the film industry while a host moderates and awards points based on the strength of each argument. The contestant with the most points at the end wins and delivers a 30-second closing rant called The Final Cut. Fast-paced, opinion-driven, and personality-led.
The most opinions-per-minute audience in the network. Three distinct entry points who all watch the same show for completely different reasons and all stay for the full episode. Uniquely activatable: this audience argues, shares, and comes back the next week ready to be proven wrong. 13,017 average views in just three episodes confirms the format travels.
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The Throwin' Hands League is a closed-membership competitive Spades tournament with ranked standings, playoff seeding, and championship stakes. This is not a pickup game. This is not a bar night. THL draws its aesthetic from 1980s and 1990s wrestling promotions. Teams cut promos. Rivalries are real. The main event table is under the lights. SEEN'T carries the signal.
The only show on the network that doesn't need the audience to already care about the subject matter. Wrestling fans, poker watchers, and Verzuz loyalists all find their entry point before they ever learn the rules of Spades. The lofi background viewer is a bonus impression: present, ambient, and more loyal than the numbers suggest. THL builds fandoms, not just viewers.
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The Dash is a death-focused interview series hosted by India Kea. The name refers to the dash between the birth and death dates on a tombstone. That dash is the whole show. Guests select from a deck of 36 symbolic cards, each carrying a question about the life they have lived. India is a working death doula. She is not afraid to take you all the way to the edge to tell your truth.
The most intellectually self-selecting audience in the network. Nobody stumbles into a death-focused interview series. They sought it out, which means the parasocial trust is unusually deep from episode one. This audience finishes episodes, follows rabbit holes, and quotes the show to people they respect. Most likely to act on a recommendation from a host they trust.